For over two decades I've built and led creative organizations that take ambitious ideas and turn them into something audiences actually show up for, repeatedly. My work spans unscripted and documentary content, branded storytelling, editorial leadership, and creative strategy across broadcast, streaming, digital, and live programming.

I also write. From VO and copy to shaping stories in the edit, writing keeps me connected to the creative work itself. I believe good storytelling should make people feel, think, and for a moment, forget everything else.

My path has been anything but linear, and I've come to appreciate that. A deliberate chapter in higher education, including advising, counseling, and program-building at USC and Caltech, and speaking to students at Ohio University and Cal State Northridge, shaped how I think about creative organizations: the people inside them matter as much as the content coming out of them.

The shows I've worked on have earned recognition, both critically and from audiences. Big Brother received nominations at the People's Choice Awards and the MTV Movie & TV Awards. Whale Wars earned multiple Emmy nominations for cinematography and editing, including nominations for the seasons I worked on. On Native Soil was shortlisted by the Academy as one of the top documentary films of its year. But what I'm proudest of is building the kind of creative infrastructure that lets good work happen consistently, not just once.

What I've learned leading creative organizations translates beyond traditional media. Whether it's helping a company figure out what stories they should be telling, building the editorial frameworks to tell them well, or developing a content slate from the ground up, that's the work I'm drawn to next. I'm especially interested in mission-driven organizations, tech companies, and institutes that know they have something worth saying and need a creative leader who can help them say it with intention and reach.

The best creative environments balance ambition with clarity, move fast without losing the vision, and still find ways to enjoy the work even on the hard days. (There are always hard days.)